Discover Edison Cole: The Fast-Rising Bass Artist Making Waves in the Music Scene

Edison Cole discusses his musical journey, relocation to Los Angeles, his latest release on Bite This!, and more.

Edison Cole has experienced an exciting journey in the music scene. Hailing from Boston, he began his path as a DJ and producer in Philadelphia after discovering his passion for electronic music. After years of refining his craft in both the studio and live performances, he took a bold step and moved to Los Angeles. Since his arrival, he has developed a deeper appreciation for bass music and has steadily advanced within the scene.

Recent years have seen Edison Cole make significant strides in the realms of dubstep and trap, with notable releases on Thrive Music and Ultra elevating his profile. More recently, he has joined Jauz’s label Bite This!, where he released the FLAMES EP last summer, followed by his latest single, “BACK AGAIN,” earlier this month.

After the release of the brostep-infused “BACK AGAIN,” Edison Cole joined us for a discussion. He shared insights into his beginnings, early influences, recent works, and future aspirations. Continue reading for the complete conversation and check out his exclusive guest mix to experience his style.

Stream EDMID Guest Mix 446 || Edison Cole on SoundCloud:

Hey Edison, thanks for taking the time to chat with us today. Before we get into your recent projects, let’s rewind a bit. How did you discover your love for electronic music?

I grew up immersed in electronic music without realizing it. I had artists like Alice Deejay, Cascada, DJ Splash, and Basshunter on repeat during my childhood. At 15, I stumbled upon artists like deadmau5, Avicii, and Tiësto, which completely transformed my perspective. Their melodies and harmonies struck a chord with me, serving as a significant source of inspiration for my current music.

Your last decade has been filled with growth in your production skills and your move to Los Angeles. How have these experiences shaped the music you create today?

Relocating from Philadelphia, where I spent my formative years, to Los Angeles has been a pivotal experience, albeit one I might have undervalued. Even after over six years, I’m still adjusting to LA. Philadelphia was my creative playground, where I learned about music and DJing, and where I uncovered much about my identity as both a person and an artist.

In LA, I fell in love with the bass scene—trap, dubstep, and everything in between. The music from 2017 to 2019 significantly fueled my passion for 150 BPM genres. LA has become the foundation for my artistic vision and where I plan to realize it fully.

Your recent single, “BACK AGAIN,” is filled with energetic “brostep” vibes. You mentioned on Instagram that the genre is making a comeback. What draws you back to this style that was so prominent a decade ago?

Brostep holds a special place in my heart, just like the earlier dance music. Once you experience the transformative energy of this genre, you feel a responsibility to share it with today’s audience. I want listeners to feel the same exhilaration I did back then. As I reflect on our conversation, it becomes clear that much of my work is about channeling that energy that shaped my journey.

“Back Again” marked my commitment to reviving that narrative for my fans, and this is just the beginning.

With remixes playing a significant role in the bass scene, how do you approach tracks like Calvin Harris and Ellie Goulding’s “MIRACLE” and John Summit and Sub Focus’ “GO BACK”?

My approach to remixing is straightforward. A remix represents my interpretation of someone else’s work—it’s essentially what I would have created if I had been given the vocal. I apply my vision by crafting chords and melodies over the original vocals, whether on keys or using a piano roll.

While it’s challenging to articulate, adding your personal touch is what makes a remix unique. I avoid overthinking it. I simply aim to put my spin on an already phenomenal track or vocal. My favorite remix would have to be my take on Swedish House Mafia’s “RAY OF SOLAR,” though I cherish all the songs I’ve remixed in their own right.

You’ve become a regular presence on Jauz’s Bite This! label. What has it meant for you to receive support from him and his team for your releases?

Jauz has been a pivotal figure for me, both personally and professionally. It feels like a full-circle moment because he was the first DJ to publicly support my “Miracle” remix during his back-to-back set with SVDDEN DEATH at Ultra Music Festival, which introduced my remix to a wider audience.

After that, many DJs began to back it, but it was Jauz who first took a chance on it. Being part of his label and imprint is a tremendous honor, and I approach it with great respect. I look forward to continuing my journey with Bite This! as I strive to become the household name I envision.

Do you prefer the atmosphere of festival crowds or club audiences? Have you adapted your sets for these different environments?

Honestly, I’m indifferent about the venue. Some of the best parties I’ve played were at fraternity houses in Philadelphia, like Drexel’s Pi Kapp, where I shared the stage with Chris Comstock, who later became Marshmello.

I’ve also performed at iconic venues like Pacha NYC during the Blau “How You Love Me” tour, which were unforgettable experiences as well. Ultimately, the crowd’s energy is what matters most. Whether in a basement or a large venue, if the audience is energized, it’s a fantastic show. A recent highlight was the crowd at Time Nightclub during a show with Jauz—amazing vibes all around.

What has been the biggest challenge in your career so far? Have you managed to overcome it?

The two primary challenges I’ve faced are the fear of failure and financial instability. There were times I struggled to afford groceries, relying on ghost-producing and co-producing tracks to get by. Moving out at 18 to chase my music dreams in Philly was tough—it’s a challenge to start from scratch. My love for music and my skills have kept me afloat over the years, and I’m incredibly grateful for my supportive family and friends.

My advice for aspiring producers is to surround yourself with people who genuinely care about your success. That support is crucial.

As we look ahead, what goals do you have for 2025?

Reflecting on 2024, it was a year of preparation—laying the groundwork for what’s next. I have so much unreleased music that I love. This upcoming music is truly my best work yet, and I’ve been strategic about the timing and order of my releases.

2025 is set to be monumental, and I’m thrilled about what’s in store.

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